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Credits
- Original concept and design
Robert Lepage - Co-creator and image design
Steve Blanchet - Composer and sound design
René Lussier - Lighting design
Martin Gagnon - Co-creator and co-writer
Philippe Meunier - Museologist and co-writer
Philippe Dubé - Projection technical design
Paul Souverbie - Image production coordinator and creative assistant
Marie Belzil - Coordinator and creative assistant
Félix Dagenais - Image design assistant
Jacques Collin - Production manager
Mario Brien - Technical director
Michel Loiselle - Assistant to the production manager
Caroline Pineau - Production assistants
Marie-Christine Martel
Sandra Matte - Image production consultant
Pierre-Yves Toulot (Cosmo AV) - Image programmer, modelling
Jean-Philippe Turmel - Image programmer and operator
Sébastien Grenier-Cartier - ETC video system design
Jean-Marc Constantien
Nicolas Manichon
Patrice Bouqueniaux - Head computer graphics design
Maxim Boisseau - Image production assistant and researcher
Valériane Cossette - Researchers
Karine Charbonneau
Joëlle Cloutier
Anne-Marie Desmeules - Archivist
Mélanie Girard - Computer graphics design, camera operator, and video editor
Luc Saint-Laurent - Computer graphics design
François Mercier
Dominique Grenier
Olivier Breton
Sylvain Gignac
Ludovic Gauthier
Anne-Marie Lévesque
Nicoletta Kalatha
Sandrine Muratet
Anne-Marie Demers
Kim Maurice
Maxine Jutras
Véronique Dumont - Camera operators
Boris Firquet
Maxim Boisseau
Patrick Faucher - Head of sound broadcasting
Jacques Boucher - Sound engineer and mixer
Martin Messier - Studio musicians
Liette Remon
Jean René
Martin Tétreault
Némo Venba
Pierre Langevin
Jacques Drouin - Sound director
Marc Doucet - Head of sound
Josué Beaucage - Sound engineer
Pierre Bouchard - Project manager, electricity, and wiring
Patrick Durnin - Lighting assistants
Mathieu Rousseau
Donald Leblanc - Lighting director
Dominic Minguy-Jean - Key grip
Jacques Rouleau - Grips/Technicians
Jonathan Allaire
Éric Aubin
Valérie Bossinotte-Gosselin
Nicolas Boudreau
Véronique Dumais
Émilie Durette-Yockell
Jean-François Faber
Frédérick Fortier
Yves Gagnon
David Hugues
Danny Jenkins
Keena Lamarre-Meetaroo
Carolanne Laroche Loiselle
Daniel Mainguy
Olivier Marcil
Yves Marois
Simon Pedneault
Marc-Olivier Pelletier
Jérôme Vallée
Marc Vinceslas - Commissionnaire
Serge Loiselle - Carpenter
François Turgeon - Computer design
Richard Côté
PERFORMANCE TEAM
- Site manager
Mario Brien - Assistant to the site manager
Caroline Pineau - Video director
Sébastien Grenier-Cartier - Sound director
Marc Doucet - Head of sound
François Côté - Lighting manager
Dominic Minguy-Jean - Head electrician
François Tremblay - Electrician
Guillaume Généreux - Head of video
Patrick Lefebre - Grip
Marie-Christine Martel - Video technicians (ETC)
Patrick Matuszek
François Rocchetti
Benoît Thomas
Mathieu Coutu
Nicolas Paquet
EX MACHINA
- Producer
Michel Bernatchez - Vice-president, finance
Jean-Pierre Vézina - Administrative and human resources director
Guy Lanteigne - Director of communications and public relations
Martine Rochon - Special Project Manager
Dali Berthiaume - Assistant to the producer
Valérie Lambert - Technical consultants
Tobie Horswill
Catherine Guay - Network administrator
Marc-Antoine Fleury - Administrative assistants
Sylvie Racine
Carmen Hattote - Travel agent and receptionist
Francine Dupuis - Assistant to the vice-president, finance
Francine Poitras - Administrative clerk
Virginie Leclerc - Workshop technician
Sylvain Durocher - Archives clerk
Véronique St-Jacques - Maintenance
Daniel Bernatchez
ROBERT LEPAGE INC.
- Agent and assistant to Robert Lepage
Lynda Beaulieu - Assistant to Lynda Beaulieu
Johanne Tremblay - Personal assistants to Robert Lepage
Patrick Caux
Francis Beaulieu
The Image Mill
The Image Mill is an architectural projection produced and performed, in Quebec City, by Robert Lepage and Ex Machina. Representing the largest projection ever done, it requires the use of fine technology to project a huge quantity of images and films on the grain silos of the Quebec Harbour, an oversized screen, 600 feet wide by 30 meters high! In the hands of the creators, this huge mass of concrete is in constant transformation, which gives us the strange impression of it being alive and talking to us. Leaving the usual clichés behind, we discover the fascinating history of Quebec City with its upheavals, its controversies, and its great political and popular moments.
Innovations
Several surprises await those who will see The Image Mill - 2009 edition. Robert Lepage and Ex Machina, who have developed great expertise during this adventure, will continue to expand on the concepts explored last year in addition to creating amazing new visual effects. More than 20% of the content will be redesigned, improved or enhanced with new material.
Where to see and listen to The Image Mill
To experience and appreciate the work at its best and in all its dimensions, people are encouraged to position themselves on the docks, between the Old Port Market, Dalhousie Street, and Quay Saint-André Street.
The Mill frequency: 97,5 FM
Those who want to watch the mega project from outside this area should tune in to 97,5 FM on their personal walkman to hear The Image Mill soundtrack simultaneously.
The Image Mill walkman
For those who do not have their own walkman, you will have the possibility to buy a souvenir walkman with our street vendors.
When to see The Image Mill - 2009 Edition
You will be able to see The Image Mill from July 3rd to September 13, from Wednesday to Sunday. There will be no projection Mondays and Tuesdays. Please note that from July 19 to August 2nd, the show will be presented every evening. The projection lasts about 40 minutes.
The Image Mill time schedule :
July: 10 p.m.
August: 9:30 p.m.
September: 9 p.m.
The film The Image Mill Revealed paints a portrait of the last three months preceding the première of The Image Mill.
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